Book of the Week — Fiction
A novel about trees that turns out to be a novel about how we mistake the foreground for the world.
Powers writes the way a forest works — nine separate lives that you assume are the book, until forty pages in you understand they are the canopy, and the book is the root system underneath. The Overstory is, on its surface, a novel about trees and the people who notice them. Underneath it is a sustained argument that the human scale is not the only scale we are allowed to write at. Almost no contemporary novel earns that argument. This one does.
We have been recommending it for seven years now and have never quite stopped. New readers find it in a different decade than the one it was written in, which turns out to suit it; the book is patient about its readers in a way that mirrors its subject. The chestnut chapters at the front are worth the price of admission, but it is the long middle — the activists, the engineer, the slow turning of the property line into a moral question — that does the work.
Powers will be in conversation with Catherine in the front parlour on June 14 (see below; the queue is forming). Come read a few pages first. The book asks to be entered, not summarised.